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résumé
resume jsb annual budget report
that
it be known that
John Berendzen is a composer, music director,
theatre producer and director, sound
designer, electronics tech, installation artist, and nonprofit consultant based in Portland,
OR.
He's been working in theater, dance, and intermedia arts for
twenty years. He is the resident music director for
Liminal,
and has collaborated with Imago Theatre, Hand2Mouth
Theatre, PushLeg, Mary Oslund
dance, Performance Works
Northwest, and himself.
He was a 2013 Caldera
artist-in-residence, and has won some awards and grants.
and that
John has studied music with La
Monte Young, Terry
Riley and Michael
Stirling; electronic music with Timothy
Kramer; and samba percussion with The Lions
of Batucada and Samba New York!.
In 2008-9, He served as audio engineer for Young, as well as at the Knitting
Factory NYC (RIP).
and that the Other might know that
John gets excited about performance that inspires a continual immersion in present experience.
His current focus is human performance interacting with technology as a
means of approaching the
sublime.
His methods involve strict limitation of
source material and
process, and temporally holographic/self-recursive structures, in order to
achieve a total saturation of perceptual and emotional experience, testify to
the primacy of the present experience, and catch brief glimpses of the face of God.
Bark!
I
wrote something that got
published.
I translated
some
things from Portuguese.
And
am working on a sci-fi corporate
directory.
"John's general dissatisfaction at his inability to produce
superpowers through sheer force of will has led him to explore the faustian (not
fortean) worlds of transhumanism, biofeedback, Chinese internal
alchemy, and the human potential movement. Celebrity kickboxing, Ken Wilber vs.
Deepak Chopra. His ultimate goal is to receive
and transmit radio broadcasts via his nervous system, and yours, and then to
proceed to critique them flippantly as 'just another goddam waste of
time'".
-- Thomas Hussein Jefferson
that the Other
might neverf Know
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